Sunday, August 03, 2008

'Watchmen'--Quis custodiet ipsos custodes?


For some time my son has been urging me to read the graphic novel 'Watchmen'. After going and seeing a 'graphic novel' of Frank Miller's on the big screen (i.e. 300), I was intrigued. Dave kept telling me I would find this an exercise in fertility rather than futility. And then we he showed me the teaser preview of the movie Watchmen which will be out next year, I figured it was time to do this. Then I discovered that though this 'novel' came out in April 1995, as a compilation of a bunch of DC comics put together in one convenient package, yet this thing is still No. 6 on Amazon, and has been called by a reviewer in Time Magazine one of the 100 most important novels since 1923, I figured I needed to figure out what all the fuss was about. 'Watchmen' is the brainchild of Alan Moore (graphic novel writer) and Dave Gibbons (illustrator), both Brits.

Let me offer two caveats from the outset. First of all, there is a certain resemblance between the 'Watchmen' in this story to the 'Watchers' in much earlier comic stories in Marvel Comics, more specifically in the Fantastic Four stories, among others. But the resemblance is mostly superficial for these 'Watchmen' do not simply watch, they act, getting involved in the murky mess of human squabbles. Secondly, I must admit that the psychological depth of characterization in this particular 'graphic novel' is light years beyond the somewhat pathos inducing tragic characteristics we see for example in Spiderman or the Thing. And furthermore, this ain't your DC Comics of my childhood that gave us Mr. Clean (aka Superman).

The graphic novel is just that--- graphic. It is an adult comic fiction, and definitely not to be foisted on some unexpecting children-- unless you want them to go into counseling quickly thereafter. I would call 'Watchmen' an apocalyptic and psychological thriller of sorts, only it is human super-heroes (even if warped and mutated and psychotic), not a divine messiah or God in person that both produces and helps humankind survive beyond Armageddon. This story will not soon be on Saturday morning cartoons. As a graphic novel it pulls no punches--- we do not have PC dialogue, we see human beings and even super-human beings with all their foibles and flaws. Even the super-heroes are amoral or sexually immoral, but their remains something of a passion for justice. And therein lies the twist in the tale, for as the Latin quote (see above) from Juvenal's Satires inquires-- if the Watchmen are the world policemen trying to save humanity from its own worst instinct, "who is watching the Watchmen"? The answer does not turn out to be God, nor even a harmless Wizard of Oz figure behind Door Number 3. There is no 'divine' intervention in this tale, sooner or later. And so the Watchmen are left to their own devices.

Let's talk for a moment about the way the plotting of the story works. It is much like watching an episode of "Lost" on TV, indeed one wonders if "Lost" found some of its inspiration in this very novel at least in terms of the way things are structured. We have both flash backs, and flash forwards in this novel though there is a linear and chronological thread pursued from episode to episode in the novel. We also have chapters based on extended tellings of the background of this or that super-hero, some of the previous generation of 'Minutemen', some of the current generation of 'Crimebusters'. The stories are skillfully woven together, and each chapter has an addendum of sorts with some pertinent extra info--- excerpts from a book or journal article written by one of the major figures in the story, for example. I imagine the original readers of this in seriatim comicbook form could hardly wait for the next issue to emerge. I much prefer reading it all at once, rather like the way I preferred watching all of Season 4 of Lost all at once. And think of this--- one could readily compare Jack and John of Lost, to Adrian and Jon of 'Watchmen', but I digress.

One of the things that did most intrigue me was not so much the plot and its resolution, which has been so often commented on at Amazon by multitudinous reviewers that it needs no rehearsing here. It does have interesting twists and turns, not the least of which is its revisionist history--- we've got Nixon as President well into the 80s--- Who Knew?

I was more intrigued by 2-3 of the more complex of the characters-- Walter Joseph Kovacs (aka Rorschach), and that exile from the Blue Men group-- Jon Osterman, and there are a couple of other real hummers as well. Osterman, whose name means 'Easterman' is a person who reassembles himself atomically speaking after falling into a radiation experiment of sorts. It give him incredible powers, such as teleportation. Rorschach is, like the test he is named after, a psychologically damaged litmus figure with a strong passion for justice, righting wrongs, especially the sort he endured as a child, which messed him up. Freud would have a field day with this graphic novel, to say the least.

Osterman is interesting because he is either a predestinarian, or a reasonable facsimile thereof, and he stands in contrast to Adrian Veidt who fancies himself as a sort of Alexander the Great or even a Ramses II sort of world dominator, and like most over-reachers of this sort, he believes in the power of himself.

Listen for example to what he says in a telling interview towards the end of the novel (Chap. XI pp. 8-9 of the addendum): "My mother left me a lot of money when she died, but I gave it to charity when I was seventeen. I wanted to prove that I could accomplish anything I wanted starting from absolutely nothing. Also I wanted to free myself of concern for money. Consequently, its never been a problem for me. To answer your question, you get to be a superhero by believing in the hero within you and summoning him or her forth by an act of will. Believing in yourself and your own potential is the first step to realizing that potential. Alternately, you could do as Jon did: Fall into a nuclear reactor and hope for the best. On the whole I think I prefer to stick to my own methods." The reporter then responds saying "You'll forgive me for saying so, but isn't that philosophy a little Norman Vincent Peale? That self-realization stuff? How exactly do you exploit that potential to the degree that you obviously have?" Veidt responds "The disciplines of physical exercise, meditation, and study aren't terribly esoteric. The means to attain a capability far beyond that of the so-called ordinary person are within reach of everyone if their desire and their will are strong enough. I have studied science, art, religion, and a hundred different philosophies. Anyone could do as much. By applying what you learn and ordering your thoughts in an intelligent manner it is possible to accomplish almost anything. Possible for the 'ordinary' person'. There's a notion I'd like to see buried: the ordinary person. Ridculous. There is no ordinary person."

This sounds rather familiarly like various sorts of self-help new age philosophies or post-modern philosophies which are interested in godless self-help spirituality. They stand at the opposite end of the spectrum from the determinism of Jon Osterman. What Moore has skillfully done here is unearthed the psychological pendulum swing when a culture is in an apocalyptic mood or situation. Rejected, at least on the surface is Nietzsche's 'Uber-Mensch' concept, or Ayn Rand's 'Few Brilliant persons held down by the hoi polloi' concept, and yet ironically the person who is expounding this 'every-man' philosophy is in fact Adrian Veidt-- the world's smartest and most successful human!! This is not then a tale of 'the little engine that could' or how 'underdog' became 'overcomer'. But it certainly does have the American self-help and pull yourself up by your bootstraps ethos and flavor.

What is most disturbing about this novel from a Christian point of view is not merely its penchant for violence vividly depicted or amorality and immorality, but in fact the despair that undergirds the story in an assumed godless world. You have apocalypse without new earth, Armageddon without New Jerusalem, super-human powers devised by humans without an ability at all to deal with the roots of the problem of human falleness. This may be a novel about a post-Armageddon brave world, but there is nothing 'new' about it, and if anything it just punctuates the inanity of violence, and humankind's inability to save itself, even with super-heroes-- "let us save the world and create a lasting peace through destroying a few million people" is the 'final solution' offered.

But wait, at the beginning of this novel we were reminded about Hiroshima-- haven't we already gone down that path before, and resolved never to go there again? And did dropping the bomb resolve the human dilemma? NOT SO MUCH. Well perhaps this novel serves as a talisman reminding us that those who do not learn from history are doomed to repeat it. And perhaps as well it reminds us that even our heroes have feet of clay.

Long ago, Daniel had a vision not unlike some aspects of this novel. He foresaw a series of beastly apocalyptic empires each of which rose and fell, and were finally succeeded by one established by 'one like a son of man' who came down from heaven, established justice and the kingdom of God on earth. Daniel was telling his audience-- the only final solution is indeed divine intervention. As it turns out, it will not be a Jon Osterman who saves the world by self-regeneration. It will be a Jesus Easterman, who will return to judge the quick and the dead and bring in the new heaven and new earth.


TBE said...

Magnificent post, Dr. Witherington!

In a way, Watchmen was instrumental in leading me to faith. I saw what were clearly NOT "heroes" in Dr. Manhattan, The Comedian, Rorshach, etc., and ended up thinking long and hard about why these characters WEREN'T "heroic" and why others like Batman, Spider-Man, Captain America, Supes, etc., WERE.

Absolute values followed shortly thereafter, and as anyone knows, the acceptance of absolute values makes it really, really hard to sustain any kind of viable atheism.

I laughed out loud when I read about how Chesterton credited the pulp adventure mags more than any other kind of literature as instrumental to his conversion, and every time I read Lewis' statement that "a young atheist can't be too careful what he reads these days," I always end up smiling.

Awesome post!

Blake said...

Good post! I've been thinking lately that stories like The Dark Knight and Watchmen should be more embraced by Reformed Christians because there are few stories that make such a poignant case for Total Depravity. What could be more useful to them than having blockbusters about Total Depravity to use as a starting point to share the hope of Christ with nonChristian acquaintances?

bacci40 said...

your copy may have come out in 95, but the series was released in 86

John Meunier said...

In response to Blake:

I'm not so certain these graphic novels are a rich soil for faith. The great affirmation at the heart of these is that the world is without God and so we are left to do the best we can by our own wits, strength, and determination.

In such a world, it is inevitable that the difference between the bad guys and the good guys will be a matter of degrees.

Jesus Christ is just as foolish in this world as he was in 1st Century Jerusalem.

drew said...

first--great post; strangely enough, i read the watchmen twice a year, and each time it pushes me back into the truth of our Hope being in Christ alone.

second, LOST writers Cuse and Lindlof site the watchmen as a huge influence on their writing styles and vision shaping. There's actually a line of theory about LOST that they are doing what Moore did with the watchmen, but in a different genre-- taking archetypes and deconstructing them, showing their flaws and what those flaws lead to if not addressed (or even redeemed). Great connection there...

Ben Witherington said...

I tend to agree with you John, but God can even write straight on the human heart with a crooked stick


The Reverend of Rock and Roll said...

BW3 strikes again with his comic books! Kudos, sir.

As you know, (I think) our love for theology and comic books runs deep together, and I always enjoy your pop-culture reviews.

Watchman was so formative for me in my progression as a writer that I can't speak highly of it enough....and yet, it has always filled me with a profound sadness.

Thanks for your post...keep the comic reviews coming.

Kent Sanders said...

Thanks so much for a great reflection on Watchmen. I literally finished reading it for the first time this morning and was pleased to see your thoughts on it. I'm curious to see how they will fit the huge graphic novel into one movie. It's interesting to note that the themes in the Watchmen are still very relevant today.

Dr. Witherington, I wonder what you thought of the Black Freighter storyline? The writing and imagery connecting that and the main storyline was very neat, and I appreciated the multi-layered approach to the book as a whole.

Skybalon said...

Jesus Easterman.

I like that.

Obama not a secret Muslim.
The Watchmen an impetus for soul-searching and reflection.
Next you might tell me Catholics can be saved.
What is this world coming to?

Steve Bedard said...

Just a bit of trivis: did you know that the Watchmen are based on the Charlton heroes that were later bought by DC? Compare the Watchmen to Captain Atom, Blue Beetle, Nightshade, Question, Peacemaker and so on. It is amazing how Moore was able to transform these traditional heroes.

Rob Penn said...

Been a while since I beebopped my way over to your blog, Dr. Witherington.

I LOVE the watchmen. It's by far my favorite novel.

I think you're on to something. I couldn't help but think, after reading your post, of the conversation between Dr. Manhattan and Adrian Veidt. Dr. Manhattan is the only hero with actual super powers ("... and he's American!") I think that, plus side his conversation with Adrian and what he does when it's over, speak volumes about some one's vision of God.

There's also references to the "doomsday clock," or whatever, and time pieces and watches all over the place in this book. Dr. Manhattan's glass fortress and John's childhood hobby really get me thinking.