What would you do if you knew who a serial killer was, but the circumstantial evidence, however strong, was not enough to bring that person to justice? What if you were dealing with a case that had gone cold some time ago, with police exhausting all their leads and options? What if only you were obsessed and persistent enough to pursue this to the end? What if you would have to lose your marriage in order to bring this person to justice? What if your obsession doesn’t find resolution?
Such is the very remarkable story of Robert Graysmith, a cartoonist for a
The story begins in 1968 when there is a grisly double murder in
If your preference is for taut thrillers, this one will seem different. The movie runs some 2 hours and 40 minutes, but every minute is worth it as David Fincher does a masterful job of letting the story slowly unfold in the same way the evidence slowly was pieced together. Some crimes cannot be solved over night, indeed cannot be solved for years and even decades. Should we care? Well of course we should because injustice anywhere is injustice everywhere, and as John Donne said “any man’s death diminishes me, for I am a part of mankind. Therefore, do not seek to know for whom the bell tolls, it tolls for thee.” Well it kept tolling in the head of Graysmith and eventually it took its toll as he lost his job, and his marriage as well. You have to wonder if he felt called and compelled to be the relentless blood hound even long after the trail went cold.
This film is perfectly shot and those of us who lived through the late 60s and remember this story as part of the mysteries of growing up will find the music, the cars, the setting, the attitudes so familiar. Fincher gets it right. This movie does not resort to gimmicks, CG, or any of the other normal staples of 21rst century movie making. It is old school and all the more perfect for it, as if it had been shot during the period it recounts. Like Hitchcock thrillers there is one suspended resolution after another, and there are only momentary glimpses of the killing in this movie, near its beginning. The story is not driven by showing violence, unlike too many modern movies. Indeed, this is not a horror movie at all even though it is about a horrible series of crimes—it’s a crime investigation movie of the old sort with Graysmith as Sam Spade, private (and unpaid) detective.
I will not spoil this movie for you, but will tell you I found it compelling and fascinating. There are moments of high drama and tension in the plot, but this movie shows how a dialogue driven movie can be extremely interesting as we walk with Robert down the road of finding the killer and putting all the pieces together.
This is the first really excellent secular movie of 2007, with an excellent supporting cast including Robert Downey Jr. who is prominent early in the movie, but then fades from the focus of the plot when the story moves on beyond him. I honestly wish there were more movies like this which compel you to think and reason, and compare evidence. It’s a movie which sharpens the audience’s critical thinking and ability to follow evidence. And yes, there is even comic relief from time to time in this movie. It is not all dark and dank and dangerous. If you love reading good mystery novels, as I do --- this is the movie for you.